A quality paperboard reduced the total cost

“Choosing the right paperboard reduced the cost of the entire production,” says Gary Peeling, CEO of the family-owned printers Precision Printing in Barking in east London. “Not only that — if we’d taken the cheap route in choosing a material, we couldn’t have done the job.”

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In the autumn of 2013 he was asked to do what must be the ultimate dream job for any digital printer. American Express planned to do a direct mailing to 280,000 customers in the UK. “Think Big — Shop Small” was the theme and aimed to persuade cardholders to make discounted purchases in small shops on a particular day. The date set was the 7 December and the 280,000 mailings had to reach Amex’s customers well in advance.

The mailing was designed by Ogilvy, London and involved several challenges. It was in a concertina format and the background colour in the bleed area was also black, which can create considerable risk of cracking at the folds.

“If we’d used a standard paperboard — any of them — we’d have been forced to laminate the paperboard at a cost of £14,000 to avoid cracks,” Gary explains. “By choosing Invercote Creato from Iggesund Paperboard we didn’t have to laminate because it doesn’t crack after you’ve creased it.”

The benefits didn’t stop there. Lamination would also have made it impossible to machine fold the mailings because there would have been a stronger crease rebound. The alternative would have been to hand fold and hand pack the 280,000 units.

“Then we would simply not have finished the job in time,” Gary says. “Invercote Creato functioned perfectly in our process and increased our productivity in an impressive way. Such effects are rarely visible in small jobs but with a bigger print run the effects on both productivity and overall economy become very obvious.”

The question of why digital printing was chosen at all for a job with such a large edition size is itself interesting. Only a few years ago people said it was hardly worthwhile to digitally print editions over 500. In this case, one cause of the improved productivity was that Precision Printing decided early on to invest in an HP Indigo 10000 with a larger sheet size than the digital standard.

“Now we can get five A4 sheets from a print sheet instead of just two, which of course reduces the total cost per unit. That, combined with the ability to personalise in four colours instead of doing a laser printing, was the key reason behind the decision to digitally print the edition,” Gary concludes.

For more than a decade people have said that personalisation will become an important driver of digital printing’s development. Perhaps Precision Printing’s job for American Express proves that elegant personalisation can in fact be more important than constantly striving for the lowest unit cost.

“Invercote is far from being the cheapest option if you only look at the price per kilo but its properties enabled us to save £14,000 by not having to laminate,” says Gary Peeling, CEO of Precision Printing, which digitally printed 280,000 copies of a mailing for an American Express campaign.

22,000 interpretations of an idea is just the beginning

Sometimes design teams and editors are stumped by the choice of a cover. Which person of the year is the single choice for Time Magazine? Which model is featured on the cover of Sports Illustrated? Does a rare chimpanzee or the pyramids of Guatemala win out for Geo?

Inspire chose not one, but 22,000 different covers, to make our own digital statement. If Coca Cola can do 800,000 personalised labels, why not thousands for our own Inspire?



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